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February 25, 2013#

TalentPlus – Location Services

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After many months of hinting about some big plans, it’s official. I’m very excited to announce that I have joined forces with TalentPlus in the launch of their Production Services division.

TalentPlus has a 35 year history of representing talent and entertainment professionals within the Midwest and around the globe. I join the roster as a Location Scout, helping to identify the best settings, indoors & out, for upcoming photo and video projects. This is a great compliment to my work as a Producer, and I’m dedicated to help bring more great projects to town.

February 12, 2013#

Tuan Lee Photography – Naya

Changing the weather or the season within my productions has become a standard request over the years. Blooming flowers in the fall, snow in the summer – no problem, I’ve plenty of tricks up my sleeve. Though, my first collaboration with the ever talented Tuan Lee came with a new challenge – this shoot required a change in the ecosystem.

The project called for a new line of shoes to be shown in a desert setting. A desert in the wintertime can be tricky. Sure, it’s more comfortable than in the heat of summer, but the sun is low all day long and the availability of plant life is unpredictable. Given these factors, the solution was clear. Rather than go to the desert, we’d bring the desert to St. Louis. By the virtue of nine tons of sand, four pallets of rock, a wide assortment of succulents, a prop stylist with a background in botanicals and a landscaper with an amazing aesthetic, a warehouse studio space was transformed into a wonderful oasis.

Many thanks to the staff at Baisch & Skinner for an expert tutorial on desert botanicals – and to everyone at Earthworks for putting up with us as we searched for the perfect stone.

Check out Parkside Productions for a great set of behind the scenes photos.

February 5, 2013#

RGG Photography – Studio M

While on location late last year with Rob Grimm Photography, I produced a shoot much different than any of my previous projects. There were no models or athletes, no need for federal permits or security guards – just a beautiful home and a truck full of Studio M garden decor. Though for all the differences, one similarity stood true – when shooting outdoors, we are at the mercy of the elements.

Shooting in early October, we were tasked with creating a Midwestern Spring. Nothing a few rakes, fresh flowers and a talented photographer can’t solve. The weather during the first day of our two day shoot treated us to pleasant temps, blue skies and wispy, high clouds. Unfortunately, the next day’s forecast did not promise more of the same. The National Weather Service called for high winds overnight which brought the potential for thunderstorms and heavy rain (a forecast which turned out to be entirely accurate). So what do you do when you have a two day shot list and a one day weather window? I circled the crew, came up with a plan, rearranged the shoot order a bit and we got to work. As I lay in bed that night, hearing the rain against the windows, all I could do is smile, know we had pulled it off. It was a long day but we did it, proving once again the power of a good team.

January 10, 2013#

How to Big Wall Climb

I’ve had the good fortune to know Chris McNamara for many years. We’ve climbed, worked, and traveled together. We’ve shared beers in several countries while discussing BASE jumping, talking gear, the best way to rig a waterfall, or just finding more ways to enjoy life.


Chris McNamara rigs a camera position during the production of WHY – Tlapacoyan, Mexico

No matter where we were or what we were doing, a topic that always came up was Chris’ long-standing work in progress, a how-to book on big wall climbing. Having climbed El Capitan over 70 times (which by Climbing magazine’s calculations, accounts for 3% of his time here on earth), you’d be hard pressed to find anyone more suited to write this book.

Now, 10 years in the making, How to Big Wall Climb is completed and in print. Whether you’re new to the sport, a seasoned climber, or just curious “how they get the ropes up there,” the book is a great resource. As a special bonus, the cover photo is a classic from the Corey Rich archive.

Also, be sure to check out SuperTopo for all of Chris’ great guidebooks to some of the country’s best climbing.

November 30, 2012#

The Sufferfest – Wretched

I pride myself, often foolishly, on the fact that I will ride in almost any weather. Pretty much only icy roads and gail force winds will keep me inside. Though, a few days ago, despite sunny skies and unseasonably warm weather, I rode my trainer. The irony being, the conditions awaiting me inside promised to be brutal.

The good people at The Sufferfest sent me a pre-release of their newest project, “Wretched.” A glutton for punishment and one of the odd individuals that likes to hurt a bit when on a long ride, I’m no stranger to The Sufferfest. These videos are the only I’ve found that keep my attention and put me through the wringer while on the trainer. Getting back on the road in the springtime is a dream, having spent the winter being motivated (bullied and harassed) by great compilations of footage from the Pro Tour and Spring Classics.This newest video came to me, simply enough, with the sign off “Gooooooooood luck!” Oh no.

In a word, “Wretched” is amazing. No, brutal. Wait, the word I was looking for is inspiring. No, I was spot on with brutal. Attacks come right from the start. (You may feel as though you’re warmed up after the opening drum solo, but that’s just a tease. Great drumming, but you’re still going to hurt.) With footage from the motos along a stage of le Tour, you get the feel as if you’re actually in the peloton. And the pros don’t care if you’re hurting. They want you to hurt. Attacks, climbs, sprints – oh – and there’s that one sprint that comes while you’re out of the saddle on a wicked climb. That sucked. And was awesome. Brutal.

So, right now, you’re thinking “You’re alone on your trainer. No one is riding alongside you. Why push so hard?” Because I can. Because I want to. Because, these videos are visually stunning and the sporting taunts are so well timed, I’m pretty convinced there actually is someone in my computer, looking out at me and laughing at my pain. Somehow, all the way from their editing suite in Singapore, someone at The Sufferfest headquarters will know if I’m slacking.

To keep things interesting, the videos are not simply spliced footage, providing eye candy to help pass the time. With each new release, The Sufferfest has continued to up their game, fine tuning a variety of on-screen graphics which accompany the footage. Cadence markers, time checks and recommended levels of exertion (the Suffer Scale). And that damn 5 second countdown that occasionally appears in the upper left of the screen. It comes without warning and you never know what’s to happen when it reaches zero. Occasionally (rarely), it’s like the timer on a oven full of fresh baked cookies. When the buzzer goes off, feel free to sit up, grab a drink and catch your breath. But more often than not, it’s like the countdown on a time bomb. When that timer hits zero, you’d better be ready to sprint. There’s one more surprise towards the end – the appearance of a rider whose very presence will give rise to both fear and admiration, causing you to turn the pedals like never before. I won’t tell you who it is, but you had better packed plenty of courage before you hit play.

For those of the photo/video/production world that are reading along – these videos will incite a bit of jealousy. The Sufferfest has the rare opportunity to work with some of the finest licensed footage from pro races around the globe. Logging and review must be like Christmas morning in their studio. A nod to David for finely distilling so much footage to some of the most beautiful stretches and decisive moments of the best racing over the past few years. The videos are as much documentary as they are workout.

Wretched will be unleashed upon the world on December 8th. That gives you a week to start training. Training for a training video? Yes – you do not want to go into this one cold. Brutal. Look for it and all the other Sufferfest videos at thesufferfest.com.

IWBMATTKYT

November 21, 2012#

Variety is the Spice of Life (and Work!)

The best part of being a producer – no two days are ever the same.

October 8, 2012#

John Fedele Photography – Bayer FiberMax

As I had hinted at in an earlier post, I recently spent some time in the cotton fields of Texas. Working with photographer John Fedele, I produced a shoot for Bayer FiberMax, capturing a wide variety of farming lifestyle.

I could not have asked for anything more on this project. I had the pleasure of working with a very talented crew, top notch stylists, a fun client and relaxed, cooperative talent. We enjoyed delicious craft services and some classic Texas hospitality, all within a sunny (but hot) weather window. I even learned quite a bit about the cotton industry, thanks to the very generous family who allowed us to take over their farm for a few days. To top it all off, we came away with a beautiful set of images. See the tear sheets here, along with a few additional stills. This was my first visit to Texas, but based upon what I saw while I was there, it will certainly not be my last.

September 24, 2012#

Pakistan as you’ve (likely) never seen it

The final project I worked on during my time at Corey Rich Productions has wrapped and it is getting some serious attention across the newswires. Produced in conjunction with Mammut and Dedicam, this expedition sent Corey, along with David Lama and Peter Ortner, into Pakistan’s Karakoram range on an attempt to climb Trango Tower (20,623 ft).

The production was full of challenges and new considerations. Quite a bit of time went into researching travel visas, vaccinations and adherence to the area’s cultural and religious guidelines. Though, the majority of conversation was focused on the planned method of filming. Deidcam was there to fly remote control helicopters over Pakistan, capturing the action from above. This, in and of itself, is nothing new. We have flown cameras to stunning results in several past productions. It was the location that raised a few eyebrows. There was a bit of initial skepticism, given the political climate, about the idea of flying the cameras in this part of the world (The media has even taken to referring to the R/C craft as “drones”.) Though, I assure you the objective was one purely of art and adventure.

Upon arrival in Islamabad, the crew was met by stunning landscapes, rugged peaks and a very welcome reception from the locals. The Pakistani people, just like any of us are curious, proud and excited by the spirit of adventure.

An AP article has been picked up by quite a few outlets including The Washington Post, Huffington Post, Time and NBC. You can read the full text here, accompanied by some of Corey’s stunning images. As well, there’s nice mention of Mike Haggadorn of Cloud Level Media, my go-to R/C heli pilot. Also be sure to check out this video for a preview of the aerial footage captured during the expedition.

I’m proud to have been involved in this project that, so stunningly, shows Pakistan in a light that most have never seen or considered. Kudos to Corey, David, Peter, the crew and the porters & drivers in Pakistan that helped to make all of this possible.

September 13, 2012#

In the Studio With Friends

One of the most rewarding benefits to being an artist is the opportunity to collaborate. The only thing better than time in the studio is time spent there with another creative soul. I recently wrapped my most recent collaboration and am very happy with the results.

In the build up to the next installment of ARTCRANK – Interbike, I was chatting with international stencil superstar, Peat Wollaeger. This year’s submission being open only to those that had not shown in any previous ARTCRANK shows, Peat was shoe-in for the lineup. We talked about previous shows, screen printing, and art in general. Peat’s medium and surface is typically spray paint and a wall. He’s screened plenty of art onto t-shirts, but was quick to acknowledge that a multi-color print on paper requires a different approach. Discussion found it’s way into my studio, where we were soon burning screens and putting ink on paper. Using Peat’s art, I print the red and black screens. He then finished off each print with a stencil and white spray paint, giving life to his signature EYEZ image.

With this edition packed up and shipped off to Las Vegas, I’m on the lookout for my next collaboration. Have an idea? Painting/printmaking/photography/all of the above? Give me a call. It would be great to hear what you’ve got in mind.

September 5, 2012#

RGG Photography – Klipsch

A few days spent outdoors with a couple athletes and a great crew? Sign me up!
I recently had the opportunity to work with St. Louis / Chicago based photographer Rob Grimm on a fun shoot for Klipsch. This was our first shoot together and I look forward to many more.

We shot four distinct settings over two hot days in July. All the talent and locations looked great, though my favorite was shooting with Bobby at the Kingshighway skatepark. The late day sun, coupled with his passion and intensity, perfectly set the scene.

Check out this fun behind the scenes video to see how our two days unfolded. Come back in a few days for images from our second shoot for Klipsch which took us into some of the most amazing living spaces St. Louis has to offer.